Hamed Homayun Endorses Street Concerts as a Vital Form of Cultural Cohesion
Tehran – In a recent interview on the sidelines of the “Iran-Jaan” conference opening ceremony, renowned pop singer Hamed Homayun voiced strong support for the growing trend of street concerts, describing them as a beautiful and necessary development for public cultural life.
A Welcome Respite for the Public
Speaking to reporters, Homayun emphasized the importance of providing accessible artistic experiences, particularly for those who may not have the opportunity to attend formal concerts. “In the current conditions where economic and livelihood challenges exist for the people,” he stated, “free performances allow everyone to come together, unite their voices, and for at least two hours, forget their worries.”
Homayun highlighted the massive public turnout for such events, citing his own recent experience. “Last night, I had a concert in Tehran with approximately 80,000 people in attendance. There was literally no space left to sit or stand. This welcome was a special event for me.”
Respectful Adaptation in Isfahan
The singer also addressed the recent change of venue for an open-air concert in Isfahan, demonstrating a thoughtful and respectful approach. “Initially, the concert was supposed to be held on the bed of the Zayandeh Rud river,” he explained. “However, out of respect for the people of Isfahan and the river itself, this decision was changed.”
He detailed that on the first night, his primary intention was to apologize to the people for the change in plans, not to perform. “But I saw that the conditions were suitable, and ultimately the performance went ahead. Approximately 60,000 people attended on the first night and over 100,000 on the second night.” Homayun took special note of the public’s conduct, adding, “For me, the important point was that even those who had protested the holding of the concert were very polite, which demonstrated the culture of the noble people of Isfahan.”
The Universal Right to Joy
Homayun firmly asserted that joy is a right of the people. While clarifying that a street concert cannot solve economic problems, he stressed its power to provide a temporary emotional uplift. “It can gift two hours of good feeling. Some people think these concerts are for money, but our fee was negligible and mostly went to the orchestra. I see it as my duty to sing for the people while being mindful of their concerns.”
A More Facilitative Environment for the Arts
Commenting on the broader state of the performing music scene in Iran, Homayun observed positive developments. “The space has become somewhat smoother compared to the past, and more artists can perform.” He expressed his happiness that even rap singers are finding opportunities to appear on stage.
He concluded with a call for equitable treatment of all artists, stating, “All artists should be allowed to work based on a framework of justice, and not be subject to preferential treatment. We have no involvement in politics; our work is about gladdening the hearts of the people, whether in a 500-seat hall or a large square.”
